field recording
Soehngenetic – Wise Kids on Pillows (2012)
Music taken from the 2012 Soehngenetic album “Pseudolectual”. Super 8 material filmed by Hans Söhngen in 1982. For more information please visit www.soehngenetic.com
If you are into electronic music then don’t miss to check out Soehngenetic’s just released album “Pseudolectual”, available on bandcamp: http://soehngen.bandcamp.com/album/pseudolectual.
It’s worth mentioning that although he owns gear like a space echo and some BBD delays, on this production NastyDLA was used almost exclusively.
Links
if you are seeking the next challange in room acoustic treatments
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Imagine a concert hall that adapts to each performer, during the performance.
And don’t miss the whole story!
how a modern exciter/enhancer should look like
Well, that’s exactly what I would like to know from you! Is it just an ancient relict from the days of dull tape recordings or still a valid concept? Opposed to the old approaches of audio excitation: What should such a device offer for todays modern audio production? And what would separate it from the common tools like compressors, transient designers and equalizers? Is it needed for any specific production stage? Which one? What exactly needs to be “enhanced”? Does all the different distribution formats and listening environments play a role? Psycho Acoustics? Question upon question ….
Beautiful Tech: Roland RE 201 Space Echo
An ode to/rant about arguably one of the most musical pieces of outboard gear you could own: the Roland RE201 Space Echo.
Don’t miss to read the full article on www.musicofsound.co.nz
the Lexicon 224 reverb sound
As one of the first digital reverbs ever, the Lexicon 224 indeed is a classic device and even today, the Lexicon 224 reverb has its place in quite a lot of studios and productions. Whenever it comes down to that larger-than-life sound or that certain graininess, which cuts through a busy mix that easily, the 224 delivers. Of course, it can’t compete with todays smooth and silky reverb algorithms at all but instead and with its typical movement and animation, the 224 reverb tail offers tons of charm and character. [Read more...]
Take Our Audio Poll: Do We Need Higher Definition Sound?
We’re in the 21st century and we have the worst sound that we’ve ever had. It’s worse than a 78 [rpm record]. What happened?
Reblogged from Trust Me I’m a Scientist: Take Our Audio Poll: Do We Need Higher Definition Sound?
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