Changes made within the 2.1 update:

• Better support for higher S/R (some minor bugfixes in the internal filter coefficient computations).
• Critical parts are running at an internal higher sample rate now.
• The default MIX LEVEL was changed to 0dBFS.

As a side-effect it introduces 8 samples latency now. More and detailed information is included in the manual.

Rescue MK2  is a Windows x32 freeware release for VST compatible applications and you can grab your copy via the download page.

Such a great song and performance! Starting at 7:00 …
(via www.electronicbeats.net/)

(via)

The more experience I’ve gathered the less processors I apply. – bManic

The talk from Peter Kirn from createdigitalmusic.com held on the recent re:publica event in Berlin:

I addressed the question of how musical inventions can help predict the way we use tools. I started all the way back tens of thousands of years ago with the first known (likely) musical instrument. From there, I looked at how the requirements of musical interfaces – in time and usability – can inform all kinds of design problems.

But what should one expect to hear if the analog modeling is just done right? Only by driving the gain of the unit but way before we notice the obvious distortions there appear different by-products caused by circuit side-effects. Depending on the actual device, circuit and components, it might be that the signal starts just getting thicker and more mid-focused, as an example. Or, the signal might appear much deeper and bigger in other cases.

Whatever it might be in particular, I do call this the “Mojo” of the device – it’s not the primary intention of the device but turns out to be a sort of an added sugar. Such effects are highly frequency, transient and gain structure dependent and this is what makes the processed signal to be much more vibrant and alive. Furthermore, the obvious harmonic distortions are not introduced abruptly but they emerge gradually.

Probably over 5000 geeks, nerds and wannabes attended this years re:publica event to discuss the emergent trends concerning the nets culture and ethics as well as politics and economics. There were lots of sessions and keynotes about the Open Data/Government/Invention/Whatsoever movements  but to me the two current hot spots were Intellectual Property Rights and the Net Neutrality discourse. Anyway, I’ve had a great time in Berlin (once again).

I wonder, how my OKM II artifial head mics will team up with this recorder. A report will probably follow next …

Thrillseeker VBL is a “modded” version, which not only has the classic gain reduction controls but also grants detailed access to the amount and appearance of harmonic tube amplifier distortion occurring in the analog tube circuit. Applied in subtle doses, this dials in that analog magic we often miss when working in the digital domain, but you can also overdrive the circuit to have more obvious but still musical sounding harmonic distortion (and according side-effects) for use as a creative effect.

On top, Thrillseeker VBL offers an incredibly authentic audio transformer simulation which not only models the typical low-end harmonic distortion but also all the frequency and load dependent subtleties occurring in a transformer coupled tube circuit, and which add up to that typical mojo we know from the analog classics. This would not have been possible with plain waveshaping techniques but has been realized with my innovative Stateful Saturation approach, making it possible to model circuits having a (short) sort of memory.

Release date is not yet confirmed but most probably will be in May this year.