Well, that’s exactly what I would like to know from you! Is it just an ancient relict from the days of dull tape recordings or still a valid concept? Opposed to the old approaches of audio excitation: What should such a device offer for todays modern audio production? And what would separate it from the common tools like compressors, transient designers and equalizers? Is it needed for any specific production stage? Which one? What exactly needs to be “enhanced”? Does all the different distribution formats and listening environments play a role? Psycho Acoustics? Question upon question ….
how a modern exciter/enhancer should look like
April 25, 2012 by 40 Comments