ThrillseekerXTC mkII released

ThrillseekerXTC – bringing mojo back

ThrillseekerXTC mkII is a psychoacoustic audio exciter based on a parallel dynamic equalizer circuit. It takes our hearing sensitivity into account especially regarding the perception of audio transients, tonality and loudness.

The mkII version now introduces:
• Plugin operating level calibration for better gainstaging and output volume compensated processing.
• A reworked DRIVE/MOJO stage featuring full bandwidth signal saturation and a strong
focus on perceived depth and dimension. It provides all those subtle qualities we typically associate with the high-end analog outboard gear.
• Special attention has been taken to the mid frequency range by introducing signal compression which improves mid-range coherence and presence.
• Relevant parts of the plugin are running at higher internal sampling frequencies to minimize aliasing artifacts.

Available for Windows VST in 32 and 64bit as freeware. Download your copy here.

FerricTDS mkII released

FerricTDS mkII – the updated award winning Tape Dynamics Simulator

New in version 2:

  • Introducing operating level calibration for better gainstaging and output volume compensated processing
  • Metering ballistics revised and aligned accordingly
  • Updated tape compression algorithms increasing punch, adding 2nd order harmonic processing, less IMD
  • Updated limiter algorithm featuring ADC style converter clipping
  • All non-linearities are running at higher sampling frequencies internally
  • Adding a sophisticated analog signal path emulation

Available for Windows VST in 32 and 64bit as freeware. Download your copy here.

64bit plugin rollout started, announcing mkII plugin versions

The very first 64bit plugin versions are out now, starting with the plugins from the public beta test earlier this summer: epicVerb, BaxterEQ, preFIX, NastyDLAmkII, NastyVCS and DensityMkIII. All versions have been carefully revised, are backwards compatible and some includes bugfixes and improvements as well. VST3 versions are not (yet) included due to stability issues. For further release notes and downloads please refer to the download page.

The remaining VoS plugins are planned to be (re-) released one-by-one until end of this year. Most likely, they will reappear as mkII versions 🙂 First one will be FerricTDS mkII which is already in the finishing process and to be released early September.

stay tuned!

The renaissance of the Baxandall EQs

Already in 1950, Peter Baxandall designed an analog tone correction circuit which found its way into some million consumer audio devices later on. Today, it is simply referred to as a Baxandall EQ.

What the f*ck is a Baxandall EQ?

Beside its appearance in numerous guitar amplifiers and effects, it made a very prominent reincarnation in the pro audio gear world in 2010 with the Dangerous Music Bax EQ. The concept shines with its very broad curves and gentle slopes which are all about transparancy and so it came to no surprise that this made it into lots of mastering rigs right away.

And it also had a reason that already in 2011 I did an authentic 1:1 emulation of the very same curves within the Baxter EQ plugin but just adding a dual channel M/S layout to better fit the mastering duties. For maximum accuracy and transparancy it already featured oversampling and double-precision filter calculations to that time and it is still one of my personal all time favourite EQs.

BaxterEQ

During the last 10 years quite a number of devices emerged each showing its very own interpretation of the Baxandall EQ whether thats in hard or software and this was highly anticipated especially in the mastering domain.

A highly deserved revival aka renaissance.

When comparing units be aware that the frequency labeling is not standardized and different frequencies might be declared while giving you same/similar curves. More plots and infos can be found here (german language).

[CLOSED] VoS plugins 64bit public beta 1

Update 07/16/21: The beta has been closed. Stay tuned for upcoming info and releases. For the time being, the beta package remains available in the download section. Thanks to all here for contributing!!!

Until around mid July you can grab here the VoS plugin 64bit public beta package. Included are epicVerb, BaxterEQ, preFIX, NastyDLAmkII, NastyVCS and DensityMkIII in both 32 and 64 bit, VST 2 and 3 for Windows PC.

Please be careful using them since they are beta. They might crash, generate loud noises and things like that. Also do not use them in real productions since parameters and settings might change until release and break compatibility.

To report issues just create a comment right to this post and please include detailed information about the issue, which plugin is actually affected and in which host and version.

A brief update on the future of VoS plugins

First of all: I hear you!

While receiving so many questions and requests on this topic on all the different channels these days a brief update here seems to be overdue.

Plugin downloads might be online again as soon as I manage to find a decent free cloud space to offer hassle-free downloads without any traffic/bandwidth limits (or advertising). Hints appreciated.

There are no plans to make them payware.

Some of my plugin designs needs to be revised to assure that they will stand the test of time for yet another decade 🙂 and this means also that they are going to support 64bit of course.

With some selected VoS plugins, there will be a 64bit public beta which is planned to be held this July. I hope you’ll gonna join.

The story continues, stay tuned!

Herbert

The Korg SDD-3000 – perfect for LoFi?

By accident, I recently stumbled upon the UAD Korg SDD-3000 digital delay version. When I noticed that they modelled also its amplifiers as well as the 13bit converters they immediately got my attention. Having also high- and low-pass filters on board, this could easily double as a great lofi device – so lets have a closer look.

As in the original hardware, the device offers several gain stage adjustments for both input and ouptut, intended to match different instrument or line level signals. These amplifiers are always in, no matter if the BYPASS switch is activated or not. Interestingly, UA also integrated this in its “Unison” interface feature as an preamp option.

Depending on how hard the input gain is driven, quite heavy distortion and saturation effects can occur. As soon as the Bypass is deactivated, the effect signal path containing the 13bit converted and HP/LP filtered signal can be dialed in with the LEVEL BALANCE. If this balance is now set to EFFECT only or just the WET SOLO option has been turned on (plus avoiding any amounts of feedback in this case) the device now offers a pretty much nicely degraded signal path for any sort of creative effects. Depending on the actual settings one can dial in now some really creamy or even gritty effects. Be aware, that this signal path contains an additional delay according to the DELAY TIME setting, of course.

The analysis charts are showing – from left to right – the basic frequency response (in bypass mode), some example harmonic distortions when hitting the input gain quite hard and the filtered effect signal path frequency response according to the UI settings above. The slight frequency bump on the right side of the charts might be caused by the plugin oversampling filters – the original hardware does not show this and its spectrum ends somewhere around 17kHz.

As in the original hardware, all settings are just within limited ranges and so it is not that flexible in general. However, soundwise its pretty much awesome. Oh and by the way, it also doubles as a simple but impressive delay 😉

A short review of the LIRA 8 VSTi

While currently having the original SOMA Lyra-8 hardware here on my desk I was curious how the VST emulation created by Mike Moreno DSP might appear in comparison. The release is available in VST formats for Mac and PC under “Pay what you want or download for free”.

In case you never heard of the hardware Lyra, it’s basically a 8 voice drone synthesizer, providing some LFO and FM modulation capabilities plus a basic delay and distortion FX. It does not provide any Midi control but solely relies on manual interaction with it’s analog interface (plus some quite limited CV support). It also does not have any sort of filter, mod matrix or effect structure. However, it perfectly fits for different styles of experimental electronic and ambient music as well as all kinds of sound design e.g for film scoring and such.

The VST plugin resembles the overall appearance and usage concept almost identical to the hardware. All parameters are accessible via host automation in your DAW which indeed turns out to be really useful. To trigger the sensors, Midi notes C1 to G1 can also be used instead of clicking the interface. Since the original sensors are sensitiv to skin capacitance/resistance, I would have expected the plugin sensors to have some sort of velocity or aftertouch control accordingly but this is not the case.

Soundwise the plugin was a real surprise. While it might not stand an A/B test with its analog counterpart, it amazingly captures its overall sound aesthetic and gives instant gratification in this regard. Wobbling drones, shimmering soundscapes and fizzling FM weirdness – it can all do that and much more. But maybe even more important it is real fun to twiddle with and it appears to be very inspirational, exactly like the HW does.

What the plugin itself can’t give you of course is the tactile experience. Beside that there is an issue when it comes to tuning sounds. The oscillator tune parameters actually do have just very imprecise control given the huge frequency range across all octaves. This becomes even more of an issue if you try to finetune something in its FM sweetspot area.

Overall verdict: Highly recommended for all sorts of sound design or pure inspiration – if you can live with its constraints.

presets for TDR Nova GE

Nova

Below you’ll find two general purpose presets for the excellent TDR Nova GE PlugIn. If you did not tried it yet, check out the free “standard edition” over there at TDR. It’s based on Vlad’s Nova 67P freeware and Vlad and Fabien really did some magic with the Nova – a sort of Nova 67P reloaded. [Read more…]

SlickEQ GE update

https://vladgsound.files.wordpress.com/2015/09/slickeqge.jpg

Just in case you’ve missed it: It contains a very new WYSIWYG display and analyzer mode but also another “Funky” Output Stage Mode. Highly recommended!

Downlowd your copy here!