Featuring NastyDLA and FerricTDS.
A quite often underestimated or even forgotten production technique is to take advantage of artificial early reflections which could be added somewhere during the mixing process. Without inserting any fully fledged reverberation at all, applying such techniques allows to dramatically increase stereo width and depth perception as well as a way better instrument localization even in a busy mix. Creating density is not the goal here but the opposite is the name of the game: achieving a clear and intelligible mix.
In a simple case, one can place a short and plain delay (a slap-back echo) on a track and properly place it in the stereo field – maybe on the opposite side of the source but that’s just an example. More sophisticated tap delays could be used to create a sort of room experience and some reverberators are allowing to disable the late reverb diffusion and just to use their early reflection generation. There are no restrictions in general – allowed is what gets the job done in that specific mixing situation.
Music taken from the 2012 Soehngenetic album “Pseudolectual”. Super 8 material filmed by Hans Söhngen in 1982. For more information please visit http://www.soehngenetic.com
If you are into electronic music then don’t miss to check out Soehngenetic’s just released album “Pseudolectual”, available on bandcamp: http://soehngen.bandcamp.com/album/pseudolectual.
It’s worth mentioning that although he owns gear like a space echo and some BBD delays, on this production NastyDLA was used almost exclusively.
NastyDLA mkII – A classic chorus echo device with tape-delay simulation
- classic chorus and echo effects
- authentic signal path coloration
- tape-delay style feedback and saturation
The mkII version of this plug-in is an overall technical redesign and features “stateful saturation” algorithms for an improved sound experience and changes several things under the hood. Basically, NastyDLA mkII remains feature wise the very same but introduces the input stage modelled by this new and exciting technology and also redesigns the tape compression algorithm for an improved IM distortion performance. In general, the distortion generation appears to be more analog like and the perception of width and depth has been improved significantly. [Read more…]
About the different applications of audio delay effects.
There are quite a number of different types and applications for the audio delay effect in the audio production ranging from plain technical delay application up to all the musical and creative ranges of application. The rather technical or correctional delay typically is a plain digital delay which serves as a sample accurate alignment tool. Such alignments might be necessary for example for plug-in delay compensation (when a plug-in introduces latency) or during the mixing process to align a group of recorded tracks or samples. The so-called pre-delay can also be seen as an alignment sort of thing where the direct source signal has to be aligned in a positive or negative manner in relation to a processed signal, e.g. in a reverb effect. [Read more…]
(click images to enlarge)
The VRS-23 was a quite successful BBD delay in the 80’s and some thousands of units were sold during that time. It’s a mono-in / stereo-out device and capable of delay times up to around 400ms. Providing also very short timings and a modulation option makes it capable of creating chorus and flanger type of effects as well. There were different revisions available and shown here is a later one with the white faceplate. [Read more…]
The so-called bucked-brigade device (BBD) delay line generator is a somehow quirky and really unique technical design. Such devices are built upon analog components entirely, but being discrete in time they are halfway digital. Their analog input voltage samples are stored and moved through a line of capacitors one step after another and hence the name comes from analogy with the term bucket brigade: a line of people passing buckets full of water. [Read more…]
Quite recently u-he released his awesome “Tyrell” software synthesizer as a freeware for the german online magazine amazona.de. If you are seriously into synth based music production then this is a must try for sure. It does not feature any fancy fx section but just raw synth waveform combination and modulation which are executed brilliantly. Soundwise this offers true analog qualities which includes both, punch and balls as well as some mojo which you rarely find in digital synths as of today. [Read more…]