ThrillseekerLA mkII released

ThrillseekerLA mkII – bringing mojo back

ThrillseekerLA is an optical stereo compressor optimized for gentle mix bus coloring. It combines smoothest optical compression with vibrant coloration options that deliver a unique box tone in their own right, including thrilling bass and elegant top end void of any harshness in the mids. Its compression not only glues things together effortlessly but also enhances the stereo image by increasing depth and dimension.

10 years after – new in version 2:

  • Technical redesign with advanced opto cell emulation
  • Simplified gainstaging including automatic output gain compensation
  • Streamlined coloring options: Interstage, Tube and Loudness
  • New compress/limit option and reworked sidechain filtering

The mkII update is available for Windows VST in 32 and 64bit as freeware. Download your copy here.

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ThrillseekerLA – released today

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ThrillseekerLA – the short story behind

The Oscar credit for the most addictive GUI artwork goes to Patrick once again.

There are actually two stories behind the ThrillseekerLA venture: One being the creation of a cutting edge compressor design for the digital domain while the other one is about taking a huge leap forward on my journey towards stateful saturation. [Read more…]

introducing ThrillseekerLA

ThrillseekerLA – digital stereo leveling amplifier with truly analog qualities.

At a glance

  • Sophisticated and deep gain riding full of musical character and attitude but with virtually no inter-modulation (IM) distortion artifacts
  • Feedback compression design w/o any samplerate based delay in the loop
  • Classic input level driven two knob design with additional manual attack and release time interventions
  • Highly program dependent envelope timing adoption offering attack times ranging from “instantaneously” up to around 100ms and release times from 30ms up to several seconds
  • Mix level switch to adopt the plug-ins internal gain staging to mixing levels at around -18dBFS
  • Custom SC filter option to attenuate the SC bass response while slightly boosting the HF spectrum
  • Additional one pole (6dB per octave) SC low-cut filter adjustable from 20 to 500Hz
  • External sidechain support
  • Switchable Input/GR/Output metering display
  • Variable compression range control from 0 to 100% [Read more…]

announcing the “Thrillseeker” audio plug-in series

I’m bringing sexy back

The brand new and upcoming Variety of Sound Thrillseeker audio plug-ins series is going to be a plug-in collection premiering Stateful Saturation which is a sophisticated DSP core system for musical harmonic distortion generation based on authentic and truly stateful non-linear models.

Stateful Saturation takes advantage of some sought after analog qualities and preserves them accurately during their transfer right into the digital domain:

  • high frequency shimmer and sheen without digital harshness
  • depth and ‘3d’ imaging side effects before distortion itself becomes apparent
  • audio transient dynamics that remains vibrant and alive
  • natural and impressive bass response

Stateful Saturation opens the door for quite a number of amazing applications ranging from smooth harmonic exciters up to convincing amplifier effects and the DSP core can easily be set in context whether it’s a compressor output stage or a preamplifier circuit, just to name the two. [Read more…]

so, whats on the horizon?

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After a rather frosty start into 2010 everything is slowly warming up here again and of course all the audio plug-in connoisseurs out there – aka gearslutz aka you – deserves some more answers on the stuff that really matters: Where are the updates, whats next and more important when and obligatory: why no [add your favourite vintage brand here] emulation? [Read more…]

FerricTDS – released today within the KVR DC’09

FerricTDS

FerricTDS - Tape Dynamics Simulator

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Tape: the final frontier?

The concept of magnetic recording to a moving tape was invented by the German-Austrian engineer Fritz Pfleumer and received a patent back in 1928. The basic idea was to translate the voltage from the audio signal straight into magnetic energy, which then induces magnetic particles on a tape (moving along the inductor at constant speed). These particles manage to store the audio information. The whole process goes the other way around for recall.

[Read more…]