ThrillseekerLA – released today

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introducing ThrillseekerLA

ThrillseekerLA – digital stereo leveling amplifier with truly analog qualities.

At a glance

  • Sophisticated and deep gain riding full of musical character and attitude but with virtually no inter-modulation (IM) distortion artifacts
  • Feedback compression design w/o any samplerate based delay in the loop
  • Classic input level driven two knob design with additional manual attack and release time interventions
  • Highly program dependent envelope timing adoption offering attack times ranging from “instantaneously” up to around 100ms and release times from 30ms up to several seconds
  • Mix level switch to adopt the plug-ins internal gain staging to mixing levels at around -18dBFS
  • Custom SC filter option to attenuate the SC bass response while slightly boosting the HF spectrum
  • Additional one pole (6dB per octave) SC low-cut filter adjustable from 20 to 500Hz
  • External sidechain support
  • Switchable Input/GR/Output metering display
  • Variable compression range control from 0 to 100% [Read more…]

announcing the “Thrillseeker” audio plug-in series

I’m bringing sexy back

The brand new and upcoming Variety of Sound Thrillseeker audio plug-ins series is going to be a plug-in collection premiering Stateful Saturation which is a sophisticated DSP core system for musical harmonic distortion generation based on authentic and truly stateful non-linear models.

Stateful Saturation takes advantage of some sought after analog qualities and preserves them accurately during their transfer right into the digital domain:

  • high frequency shimmer and sheen without digital harshness
  • depth and ‘3d’ imaging side effects before distortion itself becomes apparent
  • audio transient dynamics that remains vibrant and alive
  • natural and impressive bass response

Stateful Saturation opens the door for quite a number of amazing applications ranging from smooth harmonic exciters up to convincing amplifier effects and the DSP core can easily be set in context whether it’s a compressor output stage or a preamplifier circuit, just to name the two. [Read more…]

NastyVCS – behind the scenes

NastyVCS tube Planning

When preparing the final bits of an upcoming plug-in release, other research and prototyping typically has already been done for other potentially upcoming projects. This usually is the time when the decision is made about the next project and the new plug-in gets outlined and planned in detail. In this case it was around 9 month ago in August 2009 when FerricTDS (our entry for the KVR DC ’09) finally went into the late beta testing stage. Since quite some time I had in my mind to improve the “Nasty” plug-in series package but to that time it had become finally clear that the next step would be to put it into one single and consistent “console strip” style plug-in. [Read more…]

from phase alignment to delay

In the recent article from phasing to phase alignment I had a closer look to what the Little Labs IBP actually does and hinted that in principle it could be easily extended to a plain but already musical sounding delay unit. And in fact, given the digital version, this could easily be done by some rather simple routing and addition: [Read more…]

from phasing to phase alignment

In the recent article about audio signal coloration I’ve already talked about the importance of the signals phase response in respect to the perceived tonal spectrum and today I’m going straight ahead towards phase alignment and how a signal delay relates to the phase response. But first let’s have a look at some nice youtube stuff showing Jonathan Little on demonstrating his Little Labs IBP phase alignment tool.

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