compressor aficionados (9) – D.W. Fearn

Doug, when and how did you arrived in the music business?

I have had an interest in electronics ever since I was a kid growing up in the 1950s and 1960s. I built a crystal radio  receiver when I was 8 and my first audio amplifier (tubes, of course) when I was 10. I passed the test for an amateur radio license when I was 12 and that experience of communicating using Morse code was excellent training for  learning to hear. I built a lot of my own radio equipment, and experimented with my own designs.

The high school I attended had an FM broadcast station. Most of the sports and musical events were broadcast, and I learned about recording orchestras, marching bands, choirs, and plays. Friends asked me to record their bands, which was my first experience working with non-classical music.

Another major factor was that my father was a French horn player in the Philadelphia Orchestra. As a kid, I would attend concerts, rehearsals, and sometimes recording sessions and broadcasts. I learned a lot about acoustics by walking around the Academy of Music in Philadelphia during rehearsals.

It would seem logical that my musical exposure and my interest in electronics would combine to make the career in pro audio I have had for over 40 years now.

I was a studio owner for many years before starting the D.W. Fearn manufacturing business, which started in 1993. [Read more…]

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ThrillseekerLA – released today

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announcing the “Thrillseeker” audio plug-in series

I’m bringing sexy back

The brand new and upcoming Variety of Sound Thrillseeker audio plug-ins series is going to be a plug-in collection premiering Stateful Saturation which is a sophisticated DSP core system for musical harmonic distortion generation based on authentic and truly stateful non-linear models.

Stateful Saturation takes advantage of some sought after analog qualities and preserves them accurately during their transfer right into the digital domain:

  • high frequency shimmer and sheen without digital harshness
  • depth and ‘3d’ imaging side effects before distortion itself becomes apparent
  • audio transient dynamics that remains vibrant and alive
  • natural and impressive bass response

Stateful Saturation opens the door for quite a number of amazing applications ranging from smooth harmonic exciters up to convincing amplifier effects and the DSP core can easily be set in context whether it’s a compressor output stage or a preamplifier circuit, just to name the two. [Read more…]

whats in your LoFi effects department?

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