SlickEQ GE update

Just in case you’ve missed it: It contains a very new WYSIWYG display and analyzer mode but also another “Funky” Output Stage Mode. Highly recommended!

Downlowd your copy here!

Stepped controls in SlickEQ

Originally posted on vladg/sound:

Why do you want to use stepped controls in an equalizer? I see 2 possible reasons:

  1. To quickly adjust the sound you like (something like a coarse tuning before the fine tuning)
  2. To quickly match 2 instances of the plugin

Probably you didn’t know that SlickEQ supports stepped controls by right mouse drag or Ctrl + mouse drag on knobs.

Stepped controls in SlickEQ

This is how the snap points are defined by default:


And now the secret information. The snap points can be changed! Unfortunately it doesn’t work per-preset basis but only as global setting.

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another hobby of mine

another hobby of mine.

via another hobby of mine.

Kotelnikov GE – mastering

Here is my go-to mastering preset for Kotelnikov GE. Just change the threshold and you are there.

<TDRKotelnikovGE thresholdParam=”-24.0″ peakCrestParam=”-3.0″ softKneeParam=”6.0″ ratioParam=”3.0″ attackParam=”6.0″ releasePeakParam=”20″ releaseRMSParam=”300″ makeUpParam=”0.0″ dryMixParam=”off” outGainParam=”0.0″ keyHPFrequencyParam=”60″ keyHPSlopeParam=”6.0″ keyStereoDiffParam=”80″ keyStereoBalanceParam=”Center” fdrVisibleParam=”On” fdrActiveParam=”On” fdrTypeParam=”Shelf A” fdrFrequencyParam=”50″ fdrAmountParam=”80″ yingParam=”On” yangParam=”Off” deltaParam=”Off” bypassParam=”Off” equalLoudParam=”Off” qualityParam=”Insane” modeParam=”Stereo” grDispScaleParam=”4″ grDispModeParam=”Gain Reduction”/>

A classification of digital equalizers (draft)

Variety Of Life:

A must read for EQ aficionados :-)
Thanks Vlad for sharing!

Originally posted on vladg/sound:

Okay, this is my first try to make some kind of classification of digital equalizers. It’s mostly based on some defects or features they have in their responses. These defects or features give digital equalizers their unique sound. Sometimes they sound “digital” in bad meaning of this word (i.e. “harsh”) but the other side of digital sound is clean, pristine and maybe too cold sometimes. I don’t have much time to make this classification really glossy so it’s some kind of a draft.

In my opinion there’re 7 main properties of digital equalizers, which affect their sound:

  1. Frequency response behavior near Nyquist frequency
  2. Phase response behavior near Nyquist frequency
  3. Frequency response ringing
  4. Types of Curves
  5. Time domain response
  6. Saturation
  7. Noise

Now I’m going to try to illustrate possible cases for each property by some images mostly created by VST Plugin Analyzer. All pictures were created at 44.1 kHz sample rate…

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happy new year …

… I wish to all of you!

TDR VOS SlickEQ and SlickEQ GE have been updated to version 1.1.0

Binaries/installers for SlickEQ standard can be downloaded from here:

The binaries for the GE edition are now available in the customer area at

This minor update fixes several little bugs, greatly reduces general CPU consumption and even adds a new “ECO” processing mode.


1.1.0 Minor update content

  • New “Eco” processing mode with almost zero latency
  • Reduced overall CPU usage
  • Stepped frequency/gain knobs activated by ctrl+drag or right mouse button drag
  • Increased user presets slots count
  • Minor UI adjustments
  • Various minor improvements

Introduction to SlickEQ and SlickEQ GE by Dan Worrall

flying fingers

Originally posted on Variety Of Light:

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tips&tricks with SlickEQ


Note: Some of the tips rely on features from the GE version.

Mixing against HP/LP combo

A good generic practice when EQing several tracks in a mix is too start by dialing in HP/LP combinations by an  appropriate level and then do further EQing/mixing against those settings. Also using the tilt filter is a good idea to apply very first and rough tonal corrections and then working out the details afterwards with the three EQs.

Preserving low-end energy when high-pass filtering

A cool trick to preserve some low-end energy when high-pass filtering is applied is to boost the low-end while using the EQ-SAT feature. As you can see in the routing diagram the HPF comes after the main EQs and EQ-SAT. This way, harmonic overtones are generated based on the fundamentals before the HPF is applied.

Decoupling the low-end

The low-end EQ features a “Phi” option switch which allows to decouple the low-end by an allpass filter network. The crossover can be freely adjusted with the normal frequency control in this band while the gain control does not have any effect in this mode. This may work great for that mellow bass drums just as an example but in other cases it might loose some definition as a trade-off.

Compare different settings

SlickEQ contains two effect settings slots, A and B. Use them in combination with the automatic output gain control to AB test different settings. Within the plugin you can move settings between A and B but also copy&paste is there to freely copy settings between different plug-in instances. Also, undo/redo comes in handy here.

Adjusting precise values

The gain/frequency displays can also be used to enter specific values and also shortcuts are accepted, e.g. “5k” can be entered to set a value to 5000. And did you know that SlickEQ has mouse-wheel support?




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