ThrillseekerLA – digital stereo leveling amplifier with truly analog qualities.
At a glance
- Sophisticated and deep gain riding full of musical character and attitude but with virtually no inter-modulation (IM) distortion artifacts
- Feedback compression design w/o any samplerate based delay in the loop
- Classic input level driven two knob design with additional manual attack and release time interventions
- Highly program dependent envelope timing adoption offering attack times ranging from “instantaneously” up to around 100ms and release times from 30ms up to several seconds
- Mix level switch to adopt the plug-ins internal gain staging to mixing levels at around -18dBFS
- Custom SC filter option to attenuate the SC bass response while slightly boosting the HF spectrum
- Additional one pole (6dB per octave) SC low-cut filter adjustable from 20 to 500Hz
- External sidechain support
- Switchable Input/GR/Output metering display
- Variable compression range control from 0 to 100% [Read more…]
I’m bringing sexy back
The brand new and upcoming Variety of Sound Thrillseeker audio plug-ins series is going to be a plug-in collection premiering Stateful Saturation which is a sophisticated DSP core system for musical harmonic distortion generation based on authentic and truly stateful non-linear models.
Stateful Saturation takes advantage of some sought after analog qualities and preserves them accurately during their transfer right into the digital domain:
- high frequency shimmer and sheen without digital harshness
- depth and ‘3d’ imaging side effects before distortion itself becomes apparent
- audio transient dynamics that remains vibrant and alive
- natural and impressive bass response
Stateful Saturation opens the door for quite a number of amazing applications ranging from smooth harmonic exciters up to convincing amplifier effects and the DSP core can easily be set in context whether it’s a compressor output stage or a preamplifier circuit, just to name the two. [Read more…]
Internally, NastyDLA consists of quite a bunch of DSP processing building blocks which as a whole are summing up to an authentic signal path simulation of it’s analog models. The blocks and the according signal flow are shown in the diagram above. Basic signal flow goes from left to right except the feedback path which goes in the opposite direction.
With NastyDLA, signal path coloration already starts in the input stage which provides a complete model of both, frequency and phase response as well as dynamic saturation. It’s located in the dry path but all nonlinear processing and coloring can be disabled on demand so it remains as a simple input volume control then. But while switched in, the input stage can greatly contribute on getting the processed signal to fit right into a mix. [Read more…]
There are just a few audio effects available that are capable of instantly turning a small and wimpy riff into something big and meaningful. One of them is the classic chorus/echo combination. Beside the individual classic echo or chorus devices these combined devices were historically build around true tape or bucket brigade delays.
From today’s production standards perspective they might be easily overseen (feature wise) but on the other hand they are still pretty much demanded due to their specific and warm tone and this unique sound quality is probably the charm which still today attracts producers and audio engineers to use them in their actual music productions.
NastyDLA is going to follow this path and recreates all the specific tone qualities while adding just some few but well selected modern features. The plug-in implements some of the most distinctive and much appreciated sonic effects generated by these devices:
- classic chorus and echo effects
- authentic signal path coloration
- tape-delay style feedback and saturation
NastyDLA applies gentle feedback driven delay effects, performs smooth audio signal modulations and adds extra harmonics and saturation effects. It will be available as a freeware VST plug-in for Win32 compatible systems later this autumn.
related links: the classic chorus echo device
Quoted from the Manley Massive Passive EQ manual talking about “phase shift”:
“This is probably the most misunderstood term floating about in the mixing community. Lots of people blame or name phase shift for just about any audio problem that doesn’t sound like typical distortion. We ask that you try to approach this subject with an open mind and forget what you may have heard about phase for now. This is not to be confused with “time alignment” as used in speakers, or the “phase” buttons on the console and multi-mic problems.”
I couldn’t agree more as already shown in the brief article on about audio signal coloration.
In the recent article from phasing to phase alignment I had a closer look to what the Little Labs IBP actually does and hinted that in principle it could be easily extended to a plain but already musical sounding delay unit. And in fact, given the digital version, this could easily be done by some rather simple routing and addition: [Read more…]
In the recent article about audio signal coloration I’ve already talked about the importance of the signals phase response in respect to the perceived tonal spectrum and today I’m going straight ahead towards phase alignment and how a signal delay relates to the phase response. But first let’s have a look at some nice youtube stuff showing Jonathan Little on demonstrating his Little Labs IBP phase alignment tool.
In this comprehensive article some deeper explorations and explanations on this topic are given and at the end a brief but handy definition about audio signal coloration is proposed. Some tips on mixing can be obtained here as well and – by the way – some myth about equalizing audio in the digital domain gets busted.